North American Wildflowers

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Whiteflowering Raspberry - Print - Stomping Grounds

Whiteflowering Raspberry

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Maypop - Print - Stomping Grounds

Maypop

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Witch Hazel - Print - Stomping Grounds

Witch Hazel

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Scarlet Mariposa - Print - Stomping Grounds

Scarlet Mariposa

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Western Pippsissewa - Print - Stomping Grounds

Western Pippsissewa

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Moss Forget Me Not - Print - Stomping Grounds

Moss Forget Me Not

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Camas - Print - Stomping Grounds

Camas

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Yellow Pentstemon - Print - Stomping Grounds

Yellow Pentstemon

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Hooded Ladies Tresses - Print - Stomping Grounds

Hooded Ladies Tresses

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Perennial Gaillardia - Print - Stomping Grounds

Perennial Gaillardia

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White Globeflower - Print - Stomping Grounds

White Globeflower

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Western Rattlesnake Plantain - Print - Stomping Grounds

Western Rattlesnake Plantain

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Bur Forget Me Not - Print - Stomping Grounds

Bur Forget Me Not

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Wooly Arnica - Print - Stomping Grounds

Wooly Arnica

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Canada Violet - Print - Stomping Grounds

Canada Violet

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Purple Pentstemon - Print - Stomping Grounds

Purple Pentstemon

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Saltmarsh Rosegentian - Print - Stomping Grounds

Saltmarsh Rosegentian

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Yellow Troutlily - Print - Stomping Grounds

Yellow Troutlily

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Bluebead - Print - Stomping Grounds

Bluebead

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White Epidendrum - Print - Stomping Grounds

White Epidendrum

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Loblolly Pine - Print - Stomping Grounds

Loblolly Pine

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Wax Trillium - Print - Stomping Grounds

Wax Trillium

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Virginia Stewartia - Print - Stomping Grounds

Virginia Stewartia

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Blueflag Iris - Print - Stomping Grounds

Blueflag Iris

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Jack in the Pulpit - Print - Stomping Grounds

Jack in the Pulpit

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Yellow Cucumbertree - Print - Stomping Grounds

Yellow Cucumbertree

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Papaw - Print - Stomping Grounds

Papaw

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Pink Ladyslipper - Print - Stomping Grounds

Pink Ladyslipper

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Lambkill - Print - Stomping Grounds

Lambkill

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Sweetbay - Print - Stomping Grounds

Sweetbay

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During her early years, on family summer vacations to the Rockies, Mary Vaux (rhymes with fox) developed into an accomplished amateur botanist, watercolorist, and mountaineer. Her wildflower publication was to become "the Audubon of Botany," and a 10,000-ft. peak in Jasper Park was named for her. After she married Dr. Charles D. Walcott, a noted geologist and Secretary of the Smithsonian, she accompanied him on his field trips. "This afforded me a wonderful opportunity for intimate study of the flora, my aim being to collect and paint the finest specimens obtainable, and to depict the natural grace and beauty of the plant without conventional design." She typically sketched while the pack-trains were stopped or being made ready, often warming her hands first by a small fire, and then finished the beautiful watercolors once back home in the East. Because of the short and tentative season of the wildflowers, and the often inhospitable locations on mountainsides, this endeavor occupied many seasons and arduous trips.

"As time went on and the collection grew, botanists, artists, and others interested in flowers began to urge that the water-color sketches should be permanently preserved and made available for students and lovers of the beautiful in Nature, before the dust of time faded and browned them to the hues of the pressed flowers of the herbaria." The result was the publication in 1925 of these astonishing volumes containing over 400 colored lithographic prints. Indeed, they deserve to be called "the Audubon of Botany."